威廉·格利尔，90后画坛新星，凯特·格林纳威奖60年来最年轻的获奖者，毕业于英国艺术名校法尔茅斯，擅长取材真实的故事，运用彩色铅笔创作极富细节的长篇绘本，使图书充满了厚重的生命力和波澜壮阔的史诗感。目前共出版2部作品《极地重生》和《喀伦坡之狼》，被主流媒体誉为“天才画家”。

Rabbit borrows a book about wolves from the library. Straightforward enough. But it's not long before a sinister figure with sharp claws and a bushy tail starts to creep right off the pages. You won't believe your eyes - especially if you're a rabbit. Brilliantly witty, with amazing artwork, two surprise endings, plus fun novelty elements, "Wolves" created a real buzz of excite...(展开全部)

WOLVESWhat do wolves really like to eat? It isn't little girls in red hoods.Rabbits shouldn't believe what they read in fairy tales, but this book has the facts."(This book follows the National Carroticulum.)"

Every night, Herb's mother reads him a bedtime story. Sometimes it's about a big bad wolf who terrifies little girls and their grandmothers, with his chilling growl and big yellow teeth. The story gets very nasty in the middle and everybody nearly comes to a sticky end. But, by the last page, it all turns out well and happy-ever-afterly. But what will happen to Herb when the wo...(展开全部)

Many Japanese once revered the wolf as Oguchi no Magami, or Large-Mouthed Pure God, but as Japan began its modern transformation wolves lost their otherworldly status and became noxious animals that needed to be killed. By 1905 they had disappeared from the country. In this spirited and absorbing narrative, Brett Walker takes a deep look at the scientific, cultural, and environ...(展开全部)

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Junger's The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Junger's analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the mo...(展开全部)

Draws on a wide range of new sources, from welfare and medical files to private diaries, letters and drawings, evoking the individual voices of children under Nazi rule, to produce a challenging new historical interpretation of the Second World War.

尼古拉斯·斯塔加特（Nicholas Stargardt），父亲是德国犹太人，母亲是澳大利亚人，本人出生于墨尔本，在澳大利亚、日本和英国长大。他是牛津大学莫德林学院的现代欧洲史教授，也是英国皇家历史学会会员。

Children were at the center of the Nazi ideology; now we have their history of those years. In this groundbreaking study–based on a wide range of new sources–Nicholas Stargardt details what happened to children of all nationalities and religions living under the Nazi regime. Their stories open a world we have never seen before. As the Nazis overran Europe, children were saved o...(展开全部)